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https://w.atwiki.jp/micro_i/pages/14.html
micro-macro お手伝い型ガイノイド μ-seriesで唯一、I以外が作りあげた機械人形 戦闘機能は持たない Iの4歳の誕生日にプレゼントするため、Iの両親らが彼女のために作る Iはmicro-macroのことを「お姉ちゃん」と呼んでいた 「私は***ちゃんのいつも味方だよ」
https://w.atwiki.jp/openmusic/pages/130.html
LISTMIDI- CROSS Arguments midifiles optional legatime arpegtime releastime staccatime toltime [generic-function] Transforms the outputs of MidiFiles into a pitch/duration Cross-Alphabet sequence. input a list of midi-info lists from mf-info boxes. an integer or nil maximum legato time, in ms. if nil no time constraints for legato filter. an integer minimum arpegio time, in ms. an integer or nil maximum release synchro time, in ms. if nil infinite release-synchro. an integer or nil maximum staccato time, in ms. if nil no time constraints for staccato filter. an integer time tolerance of quantization, in percent. output a list of polyphonic slices. The cross-alphabet sequence is a list containing sublists of the form (... ((c1 c2 ... cn) d) ...) where the ci are either 0 (empty canal) or a list of the form (p1 p2 ... pm) where the pi are pitches in midicents and d is a duration in ms. Each of this sublist encodes a polyphonic slice, containing a set of canals - which are sets of superposed pitches - and lasting for a certain duration. The concatenation of all these slices is musically equal to the original midi sequence. This representation captures the essentials of the polyphonic/rythmic structure of the midifile. It is thus convenient to be given as input to the LZify function if you want to build a statistical model of a polyphonic piece from a midifile. If you use then LZgenerate or its variants to generate an improvisation of the piece, you ll get again a pitch/duration cross-alphabet sequence. Then you ll need a function such as cross- chordseq to put your data back into a musical form. Filters are designed to simplify the alphabet of symbols and the dictionnary of patterns Each time a new note is activated, the legato filter inspects the continuation of the sequence until the release of this note or until legatime msec. Any note that has been activated before the new note and that is released during the inspected part will then be released just when the new note is activated. Therefore, this filter discards intermediate states where two juxtaposed notes are superimposed during a very short time. Each time a new note is activated, the arpeggio filter inspects the continuation of the sequence until arpegtime msec. Any note that was due to be activated during the inspected part will in fact be activated just when the former note is activated. Thus, this filter synchronizes arpeggios. Each time a note is released, the release synchro filter synchronizes all the following releases until the activation of a new note or until releastime msec - at the date of the first release. Thus, this filter synchronizes note releases. The staccato filter removes each release period, between two played periods, that lasts less than staccatime msec. Finally, the duration of each symbol is quantified with the help of an OMKant Library function make-regular. This function accepts one particular parameter, here toltime , which specifies the percentage of error that is tolerated during the quantization.
https://w.atwiki.jp/openmusic/pages/121.html
LISTMIDI- CROSS Arguments midifiles optional legatime arpegtime releastime staccatime toltime [generic-function] Transforms the outputs of MidiFiles into a pitch/duration Cross-Alphabet sequence. input a list of midi-info lists from mf-info boxes. an integer or nil maximum legato time, in ms. if nil no time constraints for legato filter. an integer minimum arpegio time, in ms. an integer or nil maximum release synchro time, in ms. if nil infinite release-synchro. an integer or nil maximum staccato time, in ms. if nil no time constraints for staccato filter. an integer time tolerance of quantization, in percent. output a list of polyphonic slices. The cross-alphabet sequence is a list containing sublists of the form (... ((c1 c2 ... cn) d) ...) where the ci are either 0 (empty canal) or a list of the form (p1 p2 ... pm) where the pi are pitches in midicents and d is a duration in ms. Each of this sublist encodes a polyphonic slice, containing a set of canals - which are sets of superposed pitches - and lasting for a certain duration. The concatenation of all these slices is musically equal to the original midi sequence. This representation captures the essentials of the polyphonic/rythmic structure of the midifile. It is thus convenient to be given as input to the LZify function if you want to build a statistical model of a polyphonic piece from a midifile. If you use then LZgenerate or its variants to generate an improvisation of the piece, you ll get again a pitch/duration cross-alphabet sequence. Then you ll need a function such as cross- chordseq to put your data back into a musical form. Filters are designed to simplify the alphabet of symbols and the dictionnary of patterns Each time a new note is activated, the legato filter inspects the continuation of the sequence until the release of this note or until legatime msec. Any note that has been activated before the new note and that is released during the inspected part will then be released just when the new note is activated. Therefore, this filter discards intermediate states where two juxtaposed notes are superimposed during a very short time. Each time a new note is activated, the arpeggio filter inspects the continuation of the sequence until arpegtime msec. Any note that was due to be activated during the inspected part will in fact be activated just when the former note is activated. Thus, this filter synchronizes arpeggios. Each time a note is released, the release synchro filter synchronizes all the following releases until the activation of a new note or until releastime msec - at the date of the first release. Thus, this filter synchronizes note releases. The staccato filter removes each release period, between two played periods, that lasts less than staccatime msec. Finally, the duration of each symbol is quantified with the help of an OMKant Library function make-regular. This function accepts one particular parameter, here toltime , which specifies the percentage of error that is tolerated during the quantization.
https://w.atwiki.jp/chronicle_chronicle/pages/25.html
時は既に西暦2500年を迎えた。 それほどの時が経ったのだが、それにもかかわらず生活水準は二十一世紀初頭と大差なかった。 その要因となったのは戦争から生まれた破壊。 そして、地球へ落下したひとつの隕石であった。 人々は、地球から宇宙へ住みかを探し、宇宙にいくつものスペースコロニーを建造した。 そういったところでの科学の発展はすさまじかったのだ。 そして、戦争もまた、科学の発展にはつきものである。 これまで、いくつもの戦争が巻き起こった。 ここ数十年、その隊列にあらたな力が加わった。 人型兵器の登場である。 遺跡から発見された人型兵器―――アレサ。 それを元に開発された汎用人型兵器ネクスト。 それをより扱いやすく性能をダウンしたノーマル。 地球の技術のみで作られた作業用乗り込み式ロボットＭＴ。 そこから、更なる兵器が生まれる。 モビルスーツ。 ノーマル・ネクストの総称―――アーマードコアよりも大型の人型兵器。 当時地球からもっとも遠いスペースコロニー「サイド３」にて、それが始めて開発された。 サイド３、地球に対しての独立戦争、後に｢一年戦争」とよばれる戦争の幕開けであった。 それからいくつもの時、いくつもの戦争をめぐり、兵器は多くの進化を遂げた。 そして人も、未だに争いを止めようとなどしなかった。 新たな脅威が、外から迫ってきているということを、知るものは少ない―――― Chronicle Chronicle用語・設定辞典 に戻る
https://w.atwiki.jp/thecockrockshockpop/pages/1196.html
http //www.theveronicas.com/ member Lisa Marie Origliasso Jessica Louise Origliasso Revenge Is Sweeter Tour Hook Me Up Secret Life Of The Veronicas Revenge Is Sweeter Tour 2009年9月15日 ( HD ) CD DVD 1. Take Me On The Floor / 2. Everything / 3. Popular / 4. Mouth Shut / 5. Revolution / 6. Revenge Is Sweeter ( Than You Ever Were ) / 7. Secret / 8. Mother Mother / 9. Hook Me Up / 10. This Love / 11. Heavily Broken / 12. 4ever / 13. Everything I m Not / 14. All I Have / 15. When It All Falls Apart / 16. Untouched / 17. This Is How It Feels Hook Me Up 2009年6月2日 ( HD ) 1. Untouched / 2. Hook Me Up / 3. This Is How It Feels / 4. This Love / 5. I Can t Stay Away / 6. Take Me On The Floor / 7. I Don t Wanna Wait / 8. Popular / 9. Revenge Is Sweeter ( Than You Ever Were ) / 10. Someone Wake Me Up / 11. All I Have / 12. In Another Life / 13. Goodbye To You / 14. Change The World / 15. 4ever Secret Life Of The Veronicas 2006年2月14日 ( HD ) 1. 4Ever / 2. Everything I m Not / 3. When It All Falls Apart / 4. Revolution / 5. Secret / 6. Mouth Shut / 7. Leave Me Alone / 8. Speechless / 9. Heavily Broken / 10. I Could Get Used To This / 11. Nobody Wins / 12. Mother Mother
https://w.atwiki.jp/hmiku/pages/472.html
【検索用 Miktronica 登録タグ M NexTone管理曲 VOCALOID kiichi 初音ミク 曲 曲英】 + 目次 目次 曲紹介 歌詞 PV コメント 作詞：kiichi（なんとかP） 作曲：kiichi（なんとかP） 編曲：kiichi（なんとかP） 唄：初音ミク 曲紹介 曲名：『Miktronica』 なんとかPことkiichi氏の初投稿曲。 水の中に浮かんでる様な、透明で浮遊感のあるサウンドが印象的。 歌詞が若干シュール。 「餃子が食べたい時の曲。」（マイリスの作者コメントより） 歌詞 電車に揺られて 餃子食べたいな 歯医者すっぽかして 一人きりここにいるよ 世界はちっぽけな 揺りかごゆらゆらゆら 探し物を探して 迷子の子羊 喫茶店で冷コー飲む 動かないインベーダーゲーム 世界はちっぽけな 揺りかごゆらゆらゆら PV コメント サムネイルの写真がいい 田舎の寂莫感が -- 名無しさん (2009-09-14 20 52 21) 大好き。耳が心地よい。絶対ヘッドホンで聴くべき -- 名無しさん (2011-06-19 10 04 50) 名前 コメント
https://w.atwiki.jp/chwiki/pages/19.html
Chronicle 掲示板であるChronicleの事。 由来は、Chronicle 2ndだと思われる。
https://w.atwiki.jp/p-02a/pages/21.html
microSDは2GBまで、microSDHCは16GBまで動作確認がされています。 現在のところ、販売されているmicroSDHCの最大容量は16GBまで。パナソニックでは、パナソニック/東芝/サンディスクのmicroSD/microSDHCの動作確認をしているようです。 microSDとmicroSDHCの違いは？ 容量の違いだけです。2GBまではmicroSD。4GB以上はmicroSDHC。 CLASS2とCLASS6の違いは？ 速度が違います。CLASS2よりもCLASS4のほうが、CLASS4よりもCLASS6のほうが速いとされています。 どのくらいの容量がいいの？ たとえば5分の曲を192KBPSで変換したWMAが7MBくらい。上限の600曲を収納するのであれば4GBだと少し足らないくらいですかね。そこまで入れるつもりがないのなら、4GBくらいがちょうどよいかと。8GBあればかなり余裕があると思います。 どのくらいの速度がいいの？ カメラで撮影する場合、加工する時間のほうが長いので保存するという面から考えるとそんなに変わらないと思います。音楽ファイルに速度はほとんど関係ありません。ただ、容量が大きくなると全体更新を行うときに速度が速いほうがさっさか終わります。別にCLASS2でも問題ないんじゃないかなーと個人的には思います。 他のまとめサイトで量販店ではメモリーカード全般が高いって書いてあったけど…… 発売日に調べたところ、ビックカメラではサンディスク製の16GBは13,800円、8GBのMobile Ultraは8,980円でした。 Amazonでは16GBは6000円台、バルク品なら5000円台。 8GBのMobile Ultraも5000円台。ポイントを考えても通販で買うほうがお得です。 どこのmicroSDがいいの？ パナソニックではパナソニック、東芝、サンディスクの3社のもので動作確認をしています⇒http //panasonic.jp/mobile/sd/docomo.html 基本、サンディスクので問題ないと思います。 ユーティリティー SDフォーマッター 携帯電話用にmicroSD/microSDHCをフォーマットしてくれるソフト。 簡易SD管理ツール for FOMA 面倒なファイル名の変更なんかをD Dで自動的にやってくれるソフト。便利。
https://w.atwiki.jp/jyoubanline/pages/23.html
★What is sonicaraiance? Sonicaraiance is an organization that aimed at the business tie-up by saying that it exchanges for the fictitious railway that appeared in Railsim for a technology and a mutual, direct driving, etc. , and one settlement is made. Please see here of ally about details. ★The condition to join? It is safe if applying at the following. ･It is Railsim user, and should be the company established with Railsim. (There are no 1.2 questions. ) ･Register the member in this wiki. ･Make IC card suitachi available. [Desu]. Additionally, there is a member regulations to join. ★What is the system of sonicaraiance?} This alliance doesn t make "Direct drive" a purpose but is aiming at "Business tie-up". Therefore, the joining is managed without considering the connection of the railway track etc. in shape like the fictitious railway union. ★Do to join? We are sorry, we do not correspond to the foreigner s joining now. ★Do about a direct driving? Especially, it doesn t compel it. ★Is it safe though participates in other alliance and network? It is possible. However, it is not necessary to contradict the agreement on the other party side. ★Though it doesn t have one s own Web site ･･･ Is it safe? Please write the company profile in "It is a word in the manager" when you register the member though it is basically OK. ★I have already been joining sonicaraiance by one. Want to join and other companies that made it ･･･ It is possible. ★What kind of company is joining? We are sorry, we do not correspond to the foreigner s joining now. ★Is the person who is managing what kind of railway managing? Manager is both capital railway manager s "Jyoubantokkai" The sub-manager is Matsudaira railway manager s "pasuko". The director is east and west high-speed railway manager s "Yhooki" and six wave express electric railway manager s "it2000".
https://w.atwiki.jp/jyoubanline/pages/24.html
Logo of sonicaraiance "The company harmonizes mutually though the style is cut each other. " At first, the logo of sonicaraiance is its design of establishment that advertises for the logo, was discussed in commemoration of the first anniversary, and adopted as a result though it was the one of the design (Tokiwa [toku] [kokoroyotsuku]) to imitate the wing. Author Takeshi Nakamoto and Fukuoka Prefecture Northern Kyushu City living. Besides logo of sonicaraiance? Osaka City Nishi-Yodogawa Ward mascot character｢Ni-Yon｣ Yokkaichi and [nteki]" mascot ..".. character. The RFL Shizuoka mascot character etc. are designed, and the design of nationwide "This place -character" seems to be worked on. It wins approval and the name and the living ground, etc. are displayed to the person in question. From the author Sonicaraiance that was the set of "Fictitious" railway of the model train set simulator game and "The company harmonizes mutually though the style was cut each other" design were designed imaging it. The motif made general lead vehicles such as the train and Shinkansen a motif, and to show it, inclined the character of the logo diagonally as running at high speed. Because there were a lot of numbers of characters, the character was made a length body and it kept compact. It designed simply and stylish.